Costume designs for Madonna's Sticky and Sweet tour have hit the Web!
Madge has teamed up again with designer/stylist Arianne Phillips. The two have worked together for about 11 years.
Phillips told Women's Wear Daily that this new tour has posed an interesting challenge.
She says, “Normally we prep in April and May, and open in June. This time, the tour begins in August. It’s a nightmare. Everyone in Italy and France is on a beach sunning themselves.”
Phillips also revealed, "Givenchy’s Riccardo Tisci designed two outfits and Tom Ford provided bespoke suits for the band. Three pairs of shoes have been custom-made by Miu Miu, there are thigh-high boots courtesy of Stella McCartney, sunglasses from Moschino, and other outfits and odds and ends from Yves Saint Laurent, Roberto Cavalli, and Jeremy Scott."
The first references gangsta pimp and Art Deco with Givenchy costumes. The dominatrix look will be featured prominently:
“It’s a theme that runs throughout her career. She’s not afraid of being hard," said the costume designer.The second section has been termed “Old School” and looks back at Madge's early days in New York. This section will feature some vintage prints from Keith Haring, the late graffiti artist and friend of Madonna who died of AIDS in 1990. Phillips said, “He and Madonna were friends. If he were alive, it would be his 50th birthday as well. So I thought, ‘What if we revisited that?’"
The third party will be gypsy-influenced and the final section will feature a futuristic rave look with lots of Japanese influences.Phillips also went on to say that getting older has had little effect on Madge's sense of fashion adventure, “She always wants to push the envelope. There are no vanity considerations based on her age…She looks good in everything.” View blog reactions
DISCLAIMER: This posting was submitted by a user of the site not from The Insider editorial staff. All users have acknowledged and agreed that the submission of their story and its contents is in compliance with our Terms of Use.





Comments (1)
Costume designer Arianne Phillips, the stylist behind "Blame it on Rio," has been collaborating with Madonna for more than a decade, from the star's geisha-inspired period to her Patty Hearst look for American Life. Phillips, who also masterminded the clothing for Madonna's two previous epic photo portfolios for W (2003's "Madonna Unbound" and 2006's "Madonna Rides Again"), talked to us about the looks she chose for their latest collaboration.
The black zippered dress is so prominent in the story. What made you choose it and what did its designer (Victoria Beckham) have to do with it, if anything?
I initially chose this dress for the classic 50s-60s slim silhouette, which was what I was after for our story. I was also intrigued since it is from Beckham's debut collection -- I liked the "story" of one pop star to another. And I was pleasantly surprised at the high quality of the dress. The fabrication, details and fit are very well thought out.
Tell us about that graphic sequined dress. All the credit says is that it's vintage and from The Way We Wore, the vintage store in LA.
The dress is reminiscent of our initial inspiration for the shoot, the 1963 Jeanne Moreau film The Bay of Angels. It's from the select archives of Doris Raymond, the owner of The Way We Wore. Madonna had specifically requested I include some vintage 50s and early 60s garments to mix with the contemporary designer fashions, and Doris is my "go to" person for vintage. She has an amazing eye and unique sensitivity to vintage.
What are the sunglasses Madonna wears in so many of the shots?
I believe those are D&G. We loved them.
What's with the little lace gloves?
With styling I find it's always about balance -- not over accessorizing, while still being able to create a character. There was a finished, formal quality to the way women dressed in the 50s and 60s. Their outfits were complete with hat, gloves, jewelry and hosiery, and there was a modesty and femininity to the way women dressed. I found that the little lace gloves finished her character perfectly, as they're both demure and provocative.
What's up next for you?
I designed the costumes for Tom Ford's directorial debut, A Single Man, starring Colin Firth and Julianne Moore, which is forthcoming this fall. Right now I'm helping refurbish and create some new looks for Madonna's summer tour extension and I'm getting ready to attend the women's collections in Paris.