1. Burn After Reading — $19.4 million
The Coen brothers' admirable, totally nonsensical spy farce rode its all-star ensemble like a rented mule, albeit sort of a haunting mutation of mule — one with frosted tips, a hoof-full of Oscars and an unusually foul mouth that nevertheless enticed enough curious viewers to make Burn the biggest opening of the Coens' career. And it's almost enough to settle Focus Features' therapy bill incurred after Hamlet 2.
2. Tyler Perry's The Family That Preys — $18 million
Add another fun fact to Defamer's Tyler Perry Encyclopedia: Five of his six films have now opened among their respective weekends' top two grossers. On roughly two-thirds as many screens as this week's No. 1. With virtually no white people in the audience. Be impressed.
3. Righteous Kill — $16.5 million
And it would have been even more had Robert De Niro and Al Pacino not already fulfilled most Americans' demand to see them sleepwalk through scenes together.
4. The Women — $10 million
Critics be damned — Picturehouse was determined to make this work if it was the last thing it ever did. And, alas, it was.
5. The House Bunny — $4.3 million
The Cult of Anna Faris kept her in the Top 5 with barely a 20% drop from last week. Seriously: If Tyler Perry had an adventurous bone in his body he'd write her into a Madea film and let the Brinks truck do the rest.
Defamer
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